Friday 26 February 2010

Organisation

Filming On Location:

Football Match Dates

- Sunday 14th February 2010


Crystal Palace v Aston Villa. Kick-Off - 3.45pm

- Wednesday 17th February 2010

Crystal Palace v Reading. Kick-Off - 8.00pm

- Saturday 20th February 2010


Crystal Palace v Coventry City. Kick-Off 3.00pm

Council Estates

- Crystal Palace

- Selhurst

- Thornton Heath

- Balham

Pub:

- The Five Bells: 68 - 70 Streatham High Road, London, SW16 1DA

Tel: 08721 077 077

Free Periods

Yasir & Hannah

Robbie

Luke

Mon

4

4, 6

3, 6

Tue

5

1, 2, 5

4

Wed

5

3

5

Thu

1, 2

1, 2, 4

-

Fri

3

3, 5

1, 2

Equipment/Props:

- Dog on leash

- Cigarettes & lighter

- Doll, pram

- Tripod

Thursday 25 February 2010

Script

Dan: "How do you get your kicks? Some will choose the easy way out from the shitty existence we’ve imposed upon ourselves. Waking up everyday at 6.30 to get the tube with a load of cognoscenti bastards, and accept their place in the nostalgia of office life, take their orders from some big shot fucking cunt in a tailored suit, make the instant coffee and fill their place in the endless line of scum, working for minimum wage – that they’ll only spunk away anyway on kebabs, booze and a 10 pack of Mayfair as they try to accept the lives they lead. After that go back to the 2 bedroom, 1 bathroom, semi-detached crap hole in 'shitsville', complete with a loveless marriage that’s descending into a sexless, joyless routine of Iceland ready made microwavable dinners and dull reality TV. All of which was settled for, just so you don’t die alone. Fuck that for a laugh. I choose life. I choose football. In fact you can forget the fucking football, I choose the carnage that comes with it. Football doesn’t stem from violence, but the violence stems from football. The broken knuckles, chipped teeth, the claret covered shirt - it comes from within. You either have it, or you fuck off."

Film Treatment

The year is 1995, London, and we see a working class estate, where old worn-down electrical appliances are found on the street and blood stained walls are the norm. Two best friends (aged 10), who have grown up together, are running away from an old man with a broom, shouting at them. The smaller, more ‘nerdier’ looking boy, TOMMY, falls over and the bigger more older-looking boy, DAN, helps him up and leads him to a back alley where they are safe from the old man. As they both catch their breath, they smile at one another and laugh about how the old man will get them one day, and how Dan will always have Tommy’s back.

The year is now 2010, and we can see a man running through an alley, looking very scared and worried - sounds of fighting are heard in the background. Another man jumps out in front of him and criticises how Millwall fans are cowards. The nervous man then begins to verbally abuse the other man before the man tries to hit him. Before he lands his punch, a bigger man interrupts and knocks him out. The bigger then laughs before winking at the smaller one. We now find out that the bigger man is Dan. Tommy then laughs and asks why he is here because Millwall aren’t even playing today. Dan then tells him once again that he will always have his back. This is when we find out that the two friends support opposing teams. When they are walking down the street, Tommy invites Dan to the pub for a drink, but Dan informs him that all the Crystal Palace fans are there at the moment and they would react badly if they saw a Palace fan with a Millwall fan. This is when we find out that they are part of "firms", and they both know about it.

A few days later, we now see Dan walking into the pub to see a group of males singing about Crystal Palace being the greatest team in the world; this establishes that these people are the Palace firm. They greet Dan fondly, which shows us that he is of a high rank in this particular firm.

As we find out more about the characters and their friends, family and personalities, we then see Dan being informed by one of the members of the Palace firm that Millwall will be playing Crystal Palace next week, and he has to be there to lead them. Dan then meets up with Tommy in his flat and informs him of this and that there is no way of getting out of it. They are both upset by this and feel as if it’s the end of their friendship because they know they will have to fight one another. The moment is very sad and the characters are almost brought to tears. Tommy lets Dan know that both of them always knew that this day would come and they couldn’t be friends forever. Dan disagrees, telling him that they will be friends till the end.

Once the fight time arrives, both teams’ members are all fired up and ready to fight, whilst Dan and Tommy are looking very serious and slightly nervous with little movement. The fight begins and we see both Dan and Tommy beating up other people but deliberately staying away from each other to avoid fighting one another. Every so often, they will glance at each other. After a while, Tommy gets seriously injured with by someone with a knife and Dan runs straight over and carries him away, amidst a backdrop of others members shouting at him, asking him what he is doing, but he keeps running with Tommy in his arms.

Now both are in an alley way, Tommy is on the floor bleeding to death whilst Dan is kneeling next to him with a tear in his eye. Tommy then musters up a laugh and reminds Dan that they couldn’t be friends forever, they both laugh and Dan asks what he does now because he can’t go back or they will kill him. Tommy says that they both knew that this was a bad idea to begin with and then he bids Dan farewell as he dies. Dan begins to cry, gets up slowly and walks away.

Film Conventions

Sound/Titles - our film will follow the main convention. It will contain a rock song, either "Fast Fuse" by Kasabian, "Living For The Weekend" by Hard-Fi or "Grounds For Divorce" by Elbow. We decided upon "Living For The Weekend" and "Fast Fuse" due to their lyrics and the fast paced music. We also chose "Grounds For Divorce" because of its shady music and quite contemporary lyrics and sound. We again will follow the titling convention and have the production company's name first, followed by actors and costume designer.


Camera Angles - our film will challenge the convention of not showing the main character from a long shot. We will film the character walking through an estate, keeping to that particular convention, and incorporating black and white footage to make it seem as though it is CCTV footage. That will show that the area is pretty rough due to the necessity of CCTV. We will keep to the convention of showing a close-up of the main character in motion, by having him light a cigarette. That can signify the intent of substance abuse later on in the film, and perhaps of a drinking culture, as smoking and drinking usually go hand-in-hand.


Football Factory

Mise-en-Scene - our film will follow most conventions. It will be mainly set in a council estate, with the main character walking through the area passing single mothers and gangs of teenagers as he does. On his way we will cut to a close-up of him lighting a cigarette to follow the substance abuse convention. It will also show him at a pub with his mates having some alcohol to further enhance the views on substance abuse. The estate will be dark and fairly cold in terms of colour - lots of grey, to show the cold nature of the main character and also the rest of the film, especially when fight scenes occur.


Lock, Stock

Actors Movements - when we film in the pub, the character will be shown laughing and talking, and at the end (before we cut to credits) the actor will slam his glass onto the table and complete the background monologue by saying "or you fuck off." which shows his authority, brashness and his harshness. When the main character is walking through the estate, he will walk with assurity, being upright, strong and always walking with his head up, observing whatever comes his way. This will give the audience the feeling that he is strong, and that he is not scared of anything, which can be translated into the fighting nature of the film.