Wednesday 7 April 2010

Feedback


To try and ensure that our film met the expectations of our target audience I showed the filmed to a large number of people and asked them to write down their feelings about the film;


We, as a group, understood fully that the credits could have been made more exuberant, however we decided to keep them very minimalistic to represent the nature of the film, and kept it dark to show the nature of thug life, the coldness of the main character when fighting and not afraid to be cold blooded. Lock, Stock had a similar opening when the film opened up, so we followed this convention.



We worked hard in trying to use different camera shots to follow many films in the genre. We used a tracking shot, which is used in Lock, Stock in the mini chase, which can be viewed above. We panned across setting when at the pub, which is similar to This is England. We tried to track the movements of the character in many ways, i.e filming only the feet, to give the audience a good look of who the main character is and how he may be watched upon as he is a very popular man within the film.


We did use the pub scene to try and convey the pace of his life to the audience, which is why we had it abit pacey and had many various angles. We also had the main character in the middle of the group of people to show his importance within the group. However, as the comments below proves, we did not want to spend too long within the pub scene because the audience's attention may sway.



The monologue was used as many films in the genre, such as Trainspotting and Rock 'n' Rolla, have a monologue to try and draw viewers into the film. We felt that without a monologue, the audience wouldn't have a good enough idea of what was going on, and we felt that it was powerful enough to show them the violence of the main character, linking back to his thug-life. However, some feedback below shows the monologue may not have been to the highest of quality which can be adressed.

Script

After recording our first monologue we realised that the length of it was alot longer than we originally thought it would be. Having only two minutes and with most films in the genre having short monologues we had to decide whether we wanted to leave out the monologue or edit it. We decided to edit our monologue, as it follows conventions of other films such as Rock 'n' Rolla and it gives crucial insight to the character for the audience.

This is our final, re-amended version of the script:

"How do you get your kicks? Some will choose the easy way out of the shitty existance we've imposed upon ourselves. Waking up everyday at 6.30, to get the tube with a load of cognoscenti bastards, accept their place in the nostalgia of office life, take their orders from some big shot fucking cunt in a shirt and tie, then go back to the 2 bedroom, 1 bathroom semi-detatched shit hole in the middle of 'no-wheres-ville'. Fuck that for a laugh. It's about life, it's about football, it's about the carnage that comes with it. The broken knuckles, chipped teeth, covered in claret -it comes from within. You either have it, or you fuck off."